This post appeared first on the RichardHowe.com blog in Lowell, Mass.
My friend and mentor Charles Nikitopoulos of Lowell, Mass., passed away a few days ago. His obituary is here. He came to Lowell at six years old from Greece, and made a life and a living in the city. I never met a better person. He was the definition of humanitarian and citizen, on top of being the kind of husband, father, grandfather, friend, teacher, runner, and gardener that we all want to be.
I have a hundred things to say about Charlie, and will say more his contributions to the community and UMass Lowell in a follow up post on this blog, but I know him well enough to think he might want me to start by posting a poem in tribute to him. He sometimes commented on posts on the Howe blog under the name Kosta. He was Internet-savvy very early. I can hear him saying, “Paul, put up a poem on the blog.”
Of all the activities Charlie was engaged in, he had a special place for poetry in his personal journey. He found dozens of opportunities to bring poets and poems into the life of the city, from events sponsored by the Hellenic Culture Society to his editorial work on the innovative online bioregional journal at UMass Lowell called The Bridge Review. Charlie read American and world poets. He wrote haiku and other poetry. In his house in the Highlands neighborhood, one bookcase has a long shelf of poetry books that he collected and referred to regularly. He pushed for Lowell to establish a Poet Laureate position. As I mentioned, I’ll write another post with more recollections about him.
Charlie organized events that brought Cleopatra Mathis; Yale Prize-winners Nick Samaras, Olga Broumas, and Michael Casey; Joseph Donahue III; and many other writers to local audiences. He always looked for a place for poetry in the community. It was part of his community psychology vision for a thriving, compassionate community. Bread and Roses (America). Loaves and Hyacinths (Persia).
Here’s one of Charlie’s poems from The Bridge Review(1998 issue). He wrote this in a writing workshop sponsored by the Hellenic Culture Society, which included Mary Sampas, Walter Bacigalupo and Mary Bacigalupo, Xanthe Mangiavas, Eleni Zohdi, and others.
Tomatoes, Tea, and Beer
Every summer I grew my father’s tomatoes.
I trimmed, weeded, and watered,
And planted in the most sunny spaces,
Usually, to no avail.
Every summer in a shady yard
Behind a five-family on Lombard Street,
My father grew his giant super-red tomatoes.
I remember him sitting in his chair,
Sipping Lipton tea while tomatoes grew.
This summer, after an inconvenient illness,
Rainy weather, and non-weeding,
I discovered that tomato vines dutifully
Support morning glories. Sometimes,
Sipping a Sam Adams in my backyard chair,
I marvel that Polivios never grew more morning glories.
—Charles Nikitopoulos
1997
Now here’s one for Charlie. In 2004, Athens, Greece, hosted the summer Olympics. Organizers in the Greek-American community in Lowell produced a companion event at the Lowell High School auditorium with songs, dances, and more. I’m of French Canadian-American background, 100 percent, but have always been welcomed warmly in the Greek community in Lowell, which explains why I was invited to write something for the Lowell celebration, a local cultural Olympics. I didn’t know what to write for the special occasion until I found myself in a plane descending on Montreal, Canada, and saw the stadium built for the Olympics in 1976. And I thought about those cultural Olympians in the Hellenic community in Lowell, of whom Charlie was a leading light. Charlie was a culture-keeper, a memory worker who looked forward as much as to the past.
Listening as a Sport
“We know it; we are time.”—Cavafy
On a morning when ponds near Montreal are giving up their ice,
The Air Canada jet banks low over the white stadium
Docked like a mythic ship on the old Olympics site.
I close the in-flight magazine, whose cover touts the coming Athens games,
Contests that will write themselves into the record in this jagged time.
In places like Lowell, pride will power interest.
Greek and non-Greek, we’ll all be philhellenes until the flame recedes.
Among the most devoted spectators will be the cultural regulars
Who fill city auditoriums, galleries, and theaters.
They lean in to catch each gesture.
They squeeze story-sponges when they talk and teach.
In a city of 100,000 souls, forty of the faithful take in
A documentary about Sparta on a rainy night downtown.
Eighty crowd a cooking demonstration at a church festival.
Two busloads of them ride to Manhattan to see Mycenaean art.
At a piano recital, 200 applaud for a Greek-American prodigy.
They are the muscular memory workers—
As elite as Kenyan runners in every April’s marathon.
Make room for these champions when the anthem resounds.
—Paul Marion, from What Is the City?, (c) 2004